Is there anything left to say about Marilyn Monroe? Well ...

In the decades since her death on Aug. 5, 1962, Marilyn Monroe has been the subject of so many books that the actress practically deserves her own Dewey Decimal classification.

And although it seems unlikely that theres any aspect of her 36 years that hasnt been adequately dissected, analyzed and scrutinized half a century on, the books keep coming, like the followingtwo weighty tomes and two glossy coffee table booksthat have been published in the last few months.

Marilyn: The Passion and the Paradox by Lois Banner; Bloomsbury Press ($30)

This is the second book on Monroe penned by the University of Southern California professor of history and gender studies, and one that she spent a decade researching. Its a dense, detail-packed book, so much so that as it recounts Monroes early years and the people in her life as she was shuttled from home to home, its easy to lose track of all the players and places.

But Banners through-line isnt hard to follow: The woman who started life as Norma Jeane Mortenson worked hard at creating and then meticulously honed to perfection every last aspect of the Marilyn Monroe persona, and Banners book lays out the theory that childhood sexual abuse laid the groundwork for it all.

Marilyn in Fashion: The Enduring Influence of Marilyn Monroe by Christopher Nickens and George Zeno; Running Press ($30)

Despite the title, readers shouldnt expect this photo-driven book to explain the reason for Monroes enduring fashion influence as much as chronicle the contents of her closet, particularly the most famous of piecesthe subway grate dress and the gown she wore to serenade Kennedyand the fashion designers behind them.

But thats a task it accomplishes handily, both in describingto an exhaustive level of detailthe fabrics and embellishments of the various pieces, and by including several different instances of Monroe wearing the garment, and the occasional sketch. What at first seems repetitive actually ! helps paint a much more nuanced portrait of the actress and the way she wielded the power of her wardrobe.

Marilyn Monroe: The Final Years by Keith Badman; St Martins ($25.99)

Written by a British author whose previous works tackled the Beatles, the Beach Boys and the Rolling Stones, this book is such a sordid account of Monroes final years that its hard to read it without feeling almost criminally voyeuristic.

A lot of that has to do with the level of Marilyn minutiae detailed in the book, including limousine company records, utility bills, phone records and a laundry list of the items purchased in her final days (among them a Roman-style white chest of drawers, a hanging begonia and a couple of pet toys). Why does it matter that the food delivery to her home from Briggs Delicatessen in the days before her death cost $49.07?

The effect of Badmans meticulous spadework is that the reader feels compelled to give him the benefit of the doubt when he makes some of the books more salacious claims and assertions (not the least of which involve John F. Kennedy and UFOs).

Dressing Marilyn: How a Hollywood Icon Was Styled by William Travilla by Andrew Hansford with Karen Homer; Applause Books ($29.99)

Costume designer William Travilla dressed Monroe over the course of eight films and was responsible for some of her most iconic outfits; the life and back story of the Oscar-winning costume designer are sketched out in the photo-rich books first section.

The rest of the book is divided into chapters by iconic outfit (The Gold Dress, The Red Dress, etc.), a testament to Travillas talent as The Pink Dress instantly calls to mind the pink confection Monroe wore in the Diamonds Are a Girls Best Friend song and dance number in 1953s Gentlemen Prefer Blondes, and The White Dress registers immediately as the white (bone-colored, the book points out) halter dress that billowed about Monroes waist to famous effect in The Seven Year Itch (1955).

As mana! ger of the costume designers archives, Hansford had access to Travillas original sketches, patterns and costume test shots, and their inclusion here is a rare, up-close look at exactly how one costume designer helped achieve some of Monroes most memorable on-screen moments.

Los Angeles Times